Recorded over a weekend, in the kitchen, front porch and basement of an old Victorian House in Sellwood, Oregon, Six White Horses find Laura Gibson reinterpreting six old blues and traditional songs that have greatly influenced her music and guitar-work. The sparse and somewhat improvisational arrangements came as a collaboration with multi-instrumentalist Jason Leonard, seasoned in radio sound-effects and found-sound compositions.
While Gibson's guitarwork mostly adheres to the original blues composition, her voice, nylon strings, and reliance on non-traditional instrumentation bring the songs into a unique time and space. Gibson's voice and classical guitar were projected and recorded through the speaker of an old-record player. Leonard contributes non-traditional instruments (washbucket, newpaper drums, porch stomping, bells, whistling, vibraphone and glockenspiels). A neihgborhood saw player, known only as Mr. Fantastic, exchanged a few haunting melody lines for a bottle of whiskey. All songs were recorded by Sean Ogilvie who engineered the project, and contributed piano to "All the Pretty Horses"